The project investigated the sense of touch of people, especially people who work professionally with typography. The participants wore a blindfold so that they could not see anything. They were given letters or numbers one after the other, which they had to recognize by touch alone. The aim of the test was to find out how well sighted people can recognize typographic shapes by touch compared to blind people, whose sense of touch is more pronounced.
The project began as small experiments in kinetic typography and evolved piece by piece. Centered on the theme of “space”, it forms a labyrinth with no beginning or end, growing more frustrating over time. A 3D soundscape based on *Calabrian Woods* by Indian Wells adds to the disorientation, especially with headphones. This project is a collaboration with Lea Neuenschwander.
The project, inspired by Paul Klee's Garden of Passion, creates an immersive virtual world in which the user enters a tunnel of light through the first-ever VR machine named "Sensorama" and is led to a paradisiacal realm greeted by white cats. The labyrinth reflects the intricacies of Klee's garden and its hidden creatures, with cats paying homage to the artist's pet. This project is a collaboration with Viktoria Tabone and Maria Kozyrieva and was done for the «VIRTUAL ECHO» exhibition at the Art Museum in Thun.
For this project, we were commissioned by the Foundation for Art, Culture and History (SKKG) to create an editorial design for Bruno Stefanini's large art collection. We were provided with the images and texts for this. For the editorial, I was inspired by the narrowness of the archive, which we also visited, and designed my texts accordingly. I created a color gradient with the image material and inserted the information about the image like a watermark.
This project was our proposal for the graduation campaign of the Bern University of the Arts, inspired by the new beginning after graduation - a start with a fresh head. Rotating wash balls and bubble-like typography symbolize this transition into a new phase. This project is a collaboration with Alisa Tymofieieva.
I approached this project experimentally by listening to different musical genres and spontaneously expressing my feelings about them on paper with acrylic paint. The resulting works inspired me to create a series of posters for the Leukerbad Literature Festival, which takes place annually in a Valais mountain village. As my drawings reminded me of rocks, this festival seemed like the perfect choice.